The moves of the White (written here with Capital letters) and the moves of the Black (written here with small letters) are transposed from one phase to another :
Phase after a try : 1.X? [2.A#] a!,
Phase after a try : 1.Y? [2.B#] b!,
Phase after the key : 1.Z! [2.W#]
1...a 2.A#
1...b 2.B#
This post is written in memoriam of the great Greek problemist Dimitris Kapralos, who has created many excellent compositions.
We will see here a task with four Dombrovskis variations.
(Problem 234) Dimitris Kapralos, Third Prize, 148 Thematic Tourney, Probleemblad, 1985 Mate in 2. #2 ( 10 + 8 ) | |
[3S4/1R6/2Pp4/B1kpp3/b7/Pp1PSp1Q/1p3P2/1K6] |
Tries : {1.Se6+? Kxc6!}, {1.Qe6? [2.Qxd5#] Bc6!}, {1.Bc3? (zz) Bb5!}, {1.Rb6? / Qc8? / Qh8? / Qh5? / Bb4+? Kd4!}, {1.Bb6+? Kb5!}, {1.d4+? Kxd4!}, {1.Qf1? / Qh7? / Qg4? / Qh4? e4!},
{1.Qd7? [2.Se6# (A)] Kd4! (a)},
{1.Rb4? [2.Bb6# (B)] Bb5! (b)},
{1.Sf5? [2.Bb4# (C)] d4! (c)},
{1.Qxf3? [2.Qxd5# (D)] e4! (d)}.
In relation to the theme, we examine the last four tries and then we compare them with four of the variations in the solution below.
Key : 1.Qf5! ( zz ).
1...Kd4 (a) 2.Se6# (A)
1...Bb5 (b) 2.Bb6# (B)
1...d4 (c) 2.Bb4# (C)
1...e4 (d) 2.Qxd5# (D)
non-thematic variation : 1...Bxc6 2.Se6#.
(This post in Greek language).
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