Showing posts with label (GRE) Zappas. Show all posts
Showing posts with label (GRE) Zappas. Show all posts

Tuesday, May 13, 2014

Cooperation of composers (4)

In this post we see two helpmates and a direct mate, which are the result of cooperation of some Greek composers.
When chess composers are working together, the egoism is retreating. The composers cooperate and their friendship is elevated.

Problem_766
Byron Zappas and Nikos Siotis
Recommendation, Jubilee Tourney C. Goumondy-40, 1986

1B6/5R2/6p1/2s3p1/3Sk1p1/3p4/3brp2/7K (4 + 9)

h#2, 3.1.1.1 (Helpmate two-mover, three solutions)

1.Re3 Sf5 2.Kf3 Sg3# (Knight - Rook battery)
1.Be3 Rc7 2.Kf4 Re7# (Rook - Bishop battery)
1.Ke3 Ba7 2.Se4 Sc2# (Knight - Bishop battery)

The white pieces form batteries in a circular manner. Black begins with putting a piece on e3 and is self-blocked. There is a Grimshaw interference (bR and bB) on e3 which is exploited by White giving Anderssen mates (the white piece A is interposed to white piece B, Black moves, the white piece B moves and gives indirect check).



Problem_767
Nikos Pergialis and Manos Pantavos
original

8/7R/B7/8/8/1kP1S2R/8/2K5 (6 + 1)

#2 (two-mover)

Tries : {1.Sc2? A Ka4! a}, {1.Bc4+? B Kxc3! b}

Key : 1.Ra7!
1…Ka4 a / Ka3 / Ka2 2.Bc4# B
1…Kxc3 b 2.Sc2# A

A miniature presenting theme Banny (tries {1.A? a!}, {1.B? b!} but after the key the defense of each try is mated by the key of the other try 1...a 2.B#, 1...b 2.A#).
The key forms an indirect battery (because it aims to a flight of the bK, not straight on it) and it is like an ambush.



Problem_768
Ioannis Kalkavouras and Panagiotis Konidaris and Emmanuel Manolas
Kudesnik, 2013

8/1p3q2/8/p4r1b/2kS1R2/2pS1s2/4BK2/8 (5 + 8)

h#2, 4.1.1.1 (Helpmate two-mover, four solutions)

1.Sd2 Bxh5 2.Kxd3 Be2# (sacrifice of knight d3, switchback of  wB)
1.Rd5 Rxf7 2.Kxd4 Rf4# (sacrifice of knight d4, switchback of wR)

1.Rc5 Sc1+ 2.Kb4 Sc2# (the knights move from d3 d4 to c1 c2)
1.b6 Se6+ 2.Kb5 Se5# (the knights move from d3 d4 to e5 e6)

This belongs to the subgenre HotF, Helpmate of the Future, where the similar solutions appear in pairs. In the first pair of solutions the bK comes near and is mated by contact, while in the second pair of solutions the bK goes away because of check and the white knights mate from afar by firing two batteries (direct and indirect).
In all the solutions the black pieces make preventive self-block, (blocking a square which will become a flight after the move of the bK).


Problem_769
Harry Fougiaxis and Kostas Prentos
2nd Prize, 7th Moskovskaya Matreshka, Wageningen, 2006

3b4/1r3Bpq/p1s1Ss1p/1p3P1p/1Pk2K1R/2r5/4P3/8 (7 + 12)

h#2, (Helpmate two-mover),
a) diagram, b) wKf4 < -- > wSe6

a) 1.Se7 Sc5+ 2.Sfd5+ Ke5#
b) 1.Sd7 Sd3+ 2.Sd4+ Kd6#

2x2 batteries are fired. Self-interferences, Cross-checks and Royal-battery mates. (The problem is included in the FIDE Album 2004/2006, p.285, E168 with 8 points).

Friday, May 17, 2013

The Problemist (and some Greek composers)

The chess magazine The Problemist is issued by the British Chess Problem Society (BCPS, www.theproblemist.org/) since many decades and it has earned world wide recognition.
I have recently received the issue [The Problemist, Volume 24, No 1, January 2013] which has 48 pages and a supplement [The Problemist Supplement, Issue 122, January 2013] with 12 pages. The variety of the subjects is huge and it covers every genre of the chess composition.

Here we present Greek composers' problems, which are mentioned or published in this issue.

Problem-694
Ioannis Kalkavouras
C11037 The Problemist July 2012

7S/1KB1p2p/1PB2p1r/1p3P2/2k1S1p1/b1P3pq/bPP2P1R/5s2 (12 + 12)
#10, moremover in ten
1.b3+? Bxb3!
1.Bd7! [2.Be6#] Kd5 2.f3 gxf3 3.Bc6+ Kc4 4.Rd2 [5.Rd4#] Sxd2 5.Sxd2+ Kc5 6.Bd8 [9.Bxe7#] Kd6 7.Sf7+ Bxf7 8.Bc7+ Kc5 9.Se4+ Kc4 10.b3#

Logical problem, (what is impossible in the try-play, becomes possible after the key).

Problem-695
Petros Lambrinakos
Commendation, The Problemist 2011

s7/3S4/5p2/3k4/8/4R3/1Q6/7K (4 + 3)
#3, τριάρι
1.Qb8!
1…Sb6 2.Qxb6 [3.Qc5#]
1…Sc7 2.Qxc7 [3.Qc5#]
1…Kc4 2.Qb3+ Kd4 3.Qd3#
1…Kd4 2.Qb3 [3.Qd3#]
1…Kc6 2.Rd3 [3.Rd6#] Sb6/Sc7 3.Qxb6#/Qb6#
1…f5 2.Rd3+ Kc4/Ke4/Kc6/Ke6 3.Qb3#/Sc5#/Rd6#/Qe8#

Logical problem. Give-and-take key with X-flights for the bK.

Problem-696
Petros Lambrinakos
Commendation, The Problemist 2011

3K4/8/2S1p3/3kSP2/2p2p1P/8/8/1Q6 (6 + 4)
#3, three-mover
1.Qf1! [2.Qxc4+ Kd6 3.Sf7#/Qd4#]
1…Ke4 2.Ke7 Ke3/Ke5/Kxf5/c3/f3/exf5 3.Qe1#/Qxc4#/Qb1#/Qd3#/Qxf3#/Qf3#
1…Kc5 2.Kc7 [3.Qxc4#]

ODT, Flight-giving key.

Problem-697
Petros Lambrinakos
PS2671 The Problemist Supplement January 2013

2B5/3K4/5p2/8/7p/7k/3Q2S1/8 (4 + 3)
#3, three-mover
1.Qf2? [2.Se3 [3.Qg2#]] Kg4!
1.Se3? [2.Qg2#] Kg3!

1.Bb7! [2.Qf4 [3.Qxh4#]]
1…Kh2 2.Qf2 [3.Sf4#] Kh3 3.Qxh4#
1…Kg4 2.Qh6 Kg3/Kh3/Kf5/h3/f5 3.Qxh4#/Qxh4#/Qh5#/Qg6#/Qxh4#
1…f5 2.Qf2 [3.Qxh4#] Kh2 3.Sf4#

ODT, Model mates.

Problem-698
Petros Lambrinakos
PS2595 The Problemist Supplement July 2012

8/8/1Q6/1p1pKB2/1P6/5k2/5pr1/5R2 (5 + 5)
#3, three-mover
1.Qxf2+?/Qe3+?/Qd4?/Qc5? Rxf2!/Kxe3!/Rh2!/d4!

 1.Qa7! [2.Qa3+ Ke2 3.Qd3#]
1…Rh2 2.Qd4 Rg2/Rh~/Ke2/Kg2/Kg3 3.Qd3#/Qxf2#/Qd3#/Qxf2#/Qg4#
1…Ke2 2.Qd4 [3.Qd3‡] Rg3/Kxf1 3.Qxf2#/Qd1#
1…Kg3 2.Qd4 [3.Qf4‡] Rg1/Rh2/Kh2/Kf3 3.Qxf2#/Qg4#/Qh4#/Qd3#

Logical problem.

Problem-699
Vyron Zappas
3rd Prize, Problemistas 1970

3r4/1p1r1p2/3s1p2/1qpKPPp1/2R3p1/1S1kbs1R/b2P2Q1/3B1S2 (10 + 14)
s#2, self-mate two-mover
1.Sxc5+? Bxc5!
1.Rd4+? Bxd4!

1.Qxg4! [2.Qe4+ Sxe4#]
1…Sxd2 2.Sxc5+ Qxc5#
1…Bf4 2.Rd4+ cxd4#
1…Qxc4+ 2.Qxc4+ Sxc4#

Theme Rudenko, (two try-moves are reappearing in the after-key variations).

Problem-700
Emmanuel Manolas
The Problemist January 2013

6Rb/4s3/6P1/PS6/1pBp4/8/8/k1K4b (6 + 6)
#6, KoBul kings, more-mover in six
1.Sxd4? [2.Sc2#] Bxd4(wK=wSK)!

1.g7! [2.gxh8=(Q/B)(bK=bBK) [3.(Q/B)xd4(bBK=bK)#/Kb1#]
1…Bxg7 2.Rxg7(bK=bBK) [3.Kb1#] Bd5 3.Sxd4 [4.Sc2#] b3 4.Bxb3 [5.Sc2#]
4…Be4 5.Rxe7(bK=bSK) [6.Kb2#]
4…Bxb3(wK=wBK) 5.Rxe7(bK=bSK) [6.bKb2#]

Logical problem. Bicolour Bristol.

Problem-701
Ioannis Garoufalidis
PS2686F The Problemist Supplement January 2013

8/8/3k4/8/8/K7/1s6/R1S5 (3 + 2)
h#3, KoBul kings, Help-mate three-mover
1.Sa4 Kxa4(bK=bSK) 2.SKc4 Kb4+ 3.SKb2 Sd3#
1.Sd3 Sxd3(bK=bSK) 2.SKf7 Se5+ 3.SKh8 Rh1#
1.Ke5 Kxb2(bK=bSK) 2.SKf3 Ra3+ 3.SKg1 Rg3#

Problem-702
Ioannis Garoufalidis
PS2608F The Problemist Supplement January 2013

6b1/P5P1/8/3p1K2/8/2sP4/1p2r1p1/k7 (4 + 7)
ser-s#11, KoBul kings, Series-self-mate in 11
1.a8=B 2.Bxd5 3.Bxg8(bK=bBK) 4.Bc4 5.g8=R 6.Rxg2(bBK=bK) 7.Rxe2(bK=bRK) 8.Ke5 9.Kd4 10.Kxc3(bRK=bSK) 11.Rxb2(bSK=bK) Kxb2(wK=wRK)#

In Series-self-mate only the White plays. In the last move Black plays and mates.
Nice mate, difficult for the solvers.

Problem-703
Kostas Prentos
First Prize ex aequo, Bulgarian Wine Ty Kobe 2012

6Br/1pp4s/1R1B4/3S4/pp2k3/5p2/8/1r2bKs1 (5 + 11)
hs#3, Anti-Take and Make, Help-self-mate three-mover
b) -bSg1 (Twin without the black Knight of g1)
a) 1.Be5 cxb6(Rg6) 2.Bxh7(Sf6) Sg8 3.Rg2+ fxg2(Rg6)#
b) 1.Se3 Rxg8(Bc4) 2.Rxb4(b3) b5 3.Be2+ fxe2(Bc4)#

In (Take and Make) the capturing piece continues playing a move. In Anti-(Take and Make) the captured piece makes a move.
In the Help-self-mate the White plays first and cooperates with the Black to bring him to a mate position, but then the Black reacts by giving mate.

Reciprocal batteries.

Sunday, December 06, 2009

Composers cooperating, (No.2)

Today we choose to remember Nikos Siotis, (this was his name-day). He was very good composer, specialized in helpmates, and cared for the new problemists. We have published a problem by Nikos Siotis in this blog (see here, in cooperation with Demetrius Kapralos).

In today's post we will see two of Siotis problems, one in cooperation with the Grand Maitre Byron Zappas and another in cooperation with Vassilios D. Lyris.

Not one of them is with us anymore, and we remember them with admiration for their work.


(Problem 390)
Nikos Siotis and Byron Zappas,
First Prize, The Problemist, 1994
Helpmate in 3 moves. Two solutions.
h#3 2.1.1... (10 + 12)
[6bq/b1Bp3p/rp1P4/1s1Pp3/1R1Ppk1P/1P6/1K1Pr3/7B]


Line clearances with annihilations, followed by self-blockings and black interferences. Diagonal / Orthogonal transformation.

(Problem 391)
Basil Lyris and Nikos Siotis,
First Honourable Mention, Sredba na Solidarnosta, 1986-9,
Helpmate in 2 moves. Three solutions.
h#2 3.1.1.1 (5 + 16)
[2Q5/3bps1/1p4p1/p2pk1s1/3Sp2b/1p3r1r/1P5p/2q1B2K]


The black Queen unpins and then is pinned, so that white Queen can take action.


I will be waiting (for a few days) for you to send solutions.

(The problems are included in the edition "Selected Chess Compositions by Greek Composers", prepared for the 47_th World Congress of Chess Composition, Halkidiki, Greece, September 4-11, 2004. Editor : Harry Fougiaxis).

Sunday, September 21, 2008

Theme Dombrovskis (1)

The theme Dombrovskis shows a paradoxical reversal of movements.
First we see tries, which have threats, which are refuted with some defenses.
Then the key brings a different threat. If this new threat is answered with the defenses used after the tries, the mates are achieved with the (corresponding to the defenses) same moves that were refuted previously as threats of the tries.

Let us describe it with football terms : If a shoot is done, the goalkeeper dives and catches the ball. If the goalkeeper dives first, then the shoot can become easily a goal.

Symbolizing with Capital letter a white move, and with small letter a black move, we have :
1.X? [2.A#] a!,
1.Y? [2.B#] b!,
1.Z! [2.W#]
1...a 2.A#
1...b 2.B#

Theme Dombrovskis : In the post-key play at least two defenses, which have refuted some threats of the tries, are subdued with exactly the same threats of the tries.

This theme is named after the composer Alfred Dombrovskis, born 1923-04-19 in Aizpute of Latvia, who was the first to present it.




Theme Dombrovskis in directmates

(Problem 224)
Marjan Kovacevic,
Myllyniemi Jubilee tourney 1980,
Mate in 2.
#2 ( 11 + 9 )
[3B3s/8/p1P1R3/pk1B1S1Q/pb1P4/qb1P4/SR6/4sK2]

In this problem the half-pin of the black Bishops is used (when one of them moves, the other remains pinned).

Tries : {1.Sf5-d6+? Bb4xd6!}, {1.Bd5-c4+? Bb3xc4!}, {1.Qh5-f7? Sh8xf7!}, {1.Qh5-h2? Bb4-d6!}, {1.Qh5-h7? Sh8-f7!}, {1.Sf5-e7? Se1xd3!}, {1.Sa2-c3+? Bb4xc3!}. We especially observe the next two tries and correlate them with the solution :
Try : {1.Bd5-e4? [2.Sf5-d6# (A)] Bb3-d5! (a)}
Try : {1.Sf5-e3? [2.Bd5-c4# (B)] Bb4-d6! (b)}

Key : 1.Qh5-e8! [2.c6-c7#]
1...Bb3xd5 (a) 2.Sf5-d6# (A)
1...Bb4-d6 (b) 2.Bd5-c4# (B)


In the next problem-225, (which we have taken from the page for three-movers of the British Chess Problem Society BCPS), we note that the contemporary composers extend a two-move-theme, as is theme Dombrovskis, to a three-move-mechanism.

(Problem 225)
M. Keller,
First Prize, Schweizerische Schachzeitung 1985,
Mate in 3.
#3 ( 11 + 9 )
[4R3/7S/3p1Rp1/BP1k2Ps/1Kpp1p2/1p4P1/2ps4/5SQb]

The straightforward attack does not prove fruitful :
Tries : {1.Rf6-f5+? g6xf5!}, {1.Rf6xd6+? Kd5xd6!}, {1.Qg1xd4+? Kd5xd4!}, {1.Sf1-e3+? d4xe3!}. We observe closely the following tries :
Try : {1.Ba5-b6? [2.Qg1xd4# (A)] Sd2-f3! (a)}
Try : {1.Ba5-c7? [2.Rf6xd6# (B)] Sd2-e4! (b)}
If the wQ captures bBh1 with check, the Pawn bPf4 can interfere supported by the Knight bSd2.
Try : {1.Qg1xh1+? f4-f3!}
Could we remove this Knight?
Try : {1.Sf1xd2? c2-c1=Q!}.
We should rather remove the Pawn. Let us use wRf6.
Try : {1.Rf6xf4? Bh1-e4!}.

Finally, the actual play starts when we capture the bPf4 with the wPg3.
Key : 1.g3xf4! [2.Qg1xh1+ Sd2-f3 (a) / Sd2-e4 (b) 3 Qh1xf3# / Qh1xe4#]
1...Sd2-f3 (a) 2.Qg1xd4+ (A) Sf3xd4 / Kd5xd4 3.Sf1-e3# / Rf6xd6#
1...Sd2-e4 (b) 2.Rf6xd6+ (B) Se4xd6 / Kd5xd6 3.Re8-e5# / Qg1xd4#
1...Bh1-e4 2.Ba5-c7 [3.Rf6xd6#] Sh5xf6 3.Sh7xf6#
1...Bh1-f3 2.Ba5-b6 ~ 3.Qg1xd4#
1...Bh1-g2 2.Qg1xg2+ Sd2-e4 / Sd2-f3 3.Qg2xe4# / Qg2xf3#
1...d4-d3 (very weak, 2.Bb6 / Qb6 / Se3+ all lead to mate in the third move).
1...Sh5xf4 2.Rf6-f5+ g6xf5 3.Sh7-f6#
1...Sh5-g3 2.Rf6-f5+ Sg3xf5 / g6xf5 3.Sh7-f6# / Sh7-f6 #


Theme Dombrovskis together with theme Arguelles

(Problem 226)
Byron Zappas,
Third Honourable Mention, “U.S.P.B.” 1988,
Mate in 2.
#2 ( 7 + 12 )
[8/6p1/1p1p2p1/1k3p2/2RBS3/Rp4qQ/4Bpr1/5Kbs]

Tries : {1.Se4-c3+? Qg3xc3!}, {1.Se4xd6+? Qg3xd6!}, {1.Bd4-c3? / Be2-d3? Qg3(x)d3!}, {1.Rc4-c5+? Kb5-b4!}, {1.Qh3xf5+? g6xf5!}, {1.Qh3xg3? Sh1xg3+!}. Let us give special attention to the next two tries :
Try : {1.Bd4-e3? [2.Se4-c3# (A)] Qg3-e5! (a)}
Try : {1.Bd4-e5? [2.Se4xd6# (B)] Qg3-d3! (b)}.

Key : 1.Qh3-h8! [2.Qh8-e8#]
1...Qg3-e5 (a) 2.Se4-c3# (A)
1...Qg3-d3 (b) 2.Se4xd6# (B)

We know the theme Dombrovskis and we have shown it in this solution. What is the Theme Arguelles?

Theme Arguelles : A black line of influence is neutralized with energetic and with pathetic interference.


The bQg3 has two lines towards the arrival squares of wSe4, namely c3 and d6.
In the tries Be3? / Be5? the interference of wBd4 to these lines of the bQ is energetic.
In the actual play, after the defenses Qe5 / Qd3, the interference of wBd4 to the lines of action of the bQ is pathetic.

Since the interference, in problem-226 by Zappas, happens for two black lines, we have double application of the theme Arguelles.




Theme Dombrovskis in Selfmate

(Problem 227)
S. Seider,
Second Prize, Bulgaria 1300 Years Tourney 1982-83,
Selfmate in 2.
s#2 ( 13 + 9 )
[1B6/4r3/1P1Sp3/1B1k2P1/pP5R/K1P1S1s1/bp1PR1Q1/qr6]

Tries : {1.Sd6-e4+? / Sd6-f5+? / Sd6-e8+? / Sd6-c8+? / Sd6-b7+? Re7-c7!}, {1.Rh4-e4+? / Qg2-e4+? Sg3xe4!}, {1.Se3-g4+? Ke5-f4!}, {1.Qg2-d5+? e6xd5!}.
A good plan is to check bKd5 with one of the Knights on c4, forcing bBa2 to capture it, allowing the bQa1 to check-mate wKa3. Since the two Knighs fire batteries when they move, let us try to dismantle these batteries.
Try : {1.Ba7? [2.Sdc4+ (A) Bxc4#], not 1...Kxd6 2.Sec4+ Bxc4#, but 1...Rc7! (a)}
Try : {1.Rf2? [2.Sec4+ (B) Bxc4#] Se4! (b)}

In the actual play the White is threatening something different, which can be answered with the previous defenses of the Black, but unfortunately these defenses break the batteries of the White and the Knights are free to act :
Key : 1.Qc6! [2.Qc5+ Bd5#]
1...Rc7 (a) 2.Sdc4+ (A) Bxc4#
1...Se4 (b) 2.Sec4+ (B) Bxc4#



Expanding Theme Dombrovskis to three variations

At the web page of the mathematician K. R. Chandrasekaran from India, I have spotted a Dombrovskis problem with three variations. It sounds complicated, but I present it here for you to see how simple it really is.

(Problem 228)
K. R. Chandrasekaran,
First Commendation, I.C.P.S. II Composing Tourney, 1995,
Mate in 2.
#2 ( 8 + 5 )
[1Q6/6P1/6b1/4pB2/3rpk1K/4SP2/5BP1/8]


Tries : {1.Qb8xe5+? Kf4xe5!}, {1.Qb8-d8? Rd4xd8!}, {1.Se3-d5+? Rd4xd5!}, {1.g2-g3+? Kf4xf3!}, {1.Bf2-g3+? Kf4xe3!}.
We give special attention to the following tries :
Try : {1.Qb8-h8? [2.Qh8-h6# (A)] Bg6-h7! (a)}
Try : {1.Qb8-b3? [2.Bf2-g3# (B)] Rd4-d3! (b)}
Try : {1.Bf5-g4? [2.g2-g3# (C)] e4xf3! (c)}

Key : 1.Qb8-b6! (zz).
1...Bg6-h7 (a) 2.Qb6-h6# (A)
1...Rd4-d3 (b) 2.Bf2-g3# (B)
1...e4xf3 (c) 2.g2-g3# (C)
non-thematic variations : 1...Bg6-~ 2.Qb6-h6#, 1...Rd4-~ 2.Bf2-g3#.

The judge B. P. Barnes has noted that the problem has remarkable economy, and should be used as an example.


(This post in Greek language).

Wednesday, August 13, 2008

Circe (2)

In our previous post about Circe we said that it is an interesting Condition of the Fairy chess.

The world of the orthodox (directmate) problems has been described, many years ago, as a continent having very few unknown regions. Around this continent a magical sea is stretched, having many islands, some of which are uncartographed or unexplored. Many of these mythical islands are growing, just like the volcanic islands of the real world, and sometimes new islands emerge.

This is the case with “chess problem composition” (or “artistic chess” as we called it in Greece), where the fantasy of the composers endlessly creates new worlds, which the new composers are exploring, trying to map their limits.
In Homer's Odysseia, the island Aiaia (eea) of the nymphe witch Circe, doughter of Helios and Persa, was only one, but in Fairy Chess a whole archipelago of islands has been discovered with various kinds of the Circe Condition.


Let us see problem-202, by John Rice, which is composed in Zagoruiko frame, (that is, at least two defenses of the Black, always the same, are answered with different way in at least three Phases of the solution).

(Problem 202)
John Rice,
Third Price, Phoenix 1994
Mate in 2 moves. Circe.
#2 Circe (9+7)
[2Q1S2B/1q1BS3/3p2P1/3r1p2/3sk3/4P3/2P2Kb1/8]

There are a few tries in this problem : {1.Bxd4(+bSb8)? Rxd4(+wBc1)!}, {1.Bxf5(+bPf7)+? Rxf5(+wBf1)+!}, {1.Sxd6+? Rxd6(+wSg1)!}, {1.Sf6+? Ke5!}.
Let us make a special note for the next two tries on the square c6 :

{1.Sc6? (is guarding e5 and is threatening 2.Sf6#).
If 1...Qxc6(+Sb1) 2.Sd2#. (Defence a, Mate A).
If 1...Sxc6(+Sb1) 2.Sc3#. (Defence b, Mate B).
But there is the defence 1...Sxc2!}.

{1.Bc6? (is pinning Rd5 and is threatening 2.Sxd6(+d7)#).
If 1...Qxc6(+Bf1) 2.Bd3#. (Defence a, Mate C).
If 1...Sxc6(+Bf1) 2.Bxg2#. (Defence b, Mate D).
If 1...Sxc2 2.Qxf5(+f7)#. (Defence c, Mate G).
If 1...Qc7 2.Bxd5(+Ra8)#. (Defence d, Mate H).
But there is the defence 1...Qxe7(+wSg1)!}.

Key: 1.Qc6! (is pinning Rd5 and is threatening 2.Sxd6#).
If 1...Qxc6(+wQd1) 2.Qd3#. (Defence a, Mate E).
If 1...Sxc6(+wQd1) 2.Qxd5(+bRa8)#. (Defence b, Mate F).
If 1...Sxc2 2.Bxf5(+bPf7)#. (Defence c, Mate I).
If 1...Qc7 2.Qxd5(+bRa8)#. (Defence d, Mate J).

Other variations : 1...Sb5 2.Bxf5(+bPf7)#, 1...Qb7-b4 / Qb8 2.Qxd5(+bRa8)#, 1...Qxd7(+wBf1) 2.Qxd5(+bRa8)# / Bd3#.

We see that in three (3) phases of the problem there are answers A-B C-D E-F for the two (2) defences a-b, that is we have a Zagoruiko 3x2.

There are, also, changed mates G-H I-J for the defences c-d, as an additional asset of the problem.


We will see next a help-stalemate problem with condition Circe.

(Πρόβλημα 206)
Harry G. Polk,
Mat 1982,
Black plays and helps white to stalemate in 6 moves. Circe.
h=6 Circe (15+16)
[S1s1BQ2/2RpP1rp/PB1pPpPp/1S1sPpPK/4PrP1/5p2/p1b3k1/2q3b1]

From the initial position only a white Rook is missing.
The Pawns can have this peculiar setting, because the captured pieces were not lost but regenerated, or reborn by Circe.
During the solution all black pieces are trapped and Black is stalemated.

Key : 1.Bxe4(+wPe2) exf3(+bPf7)
2.Qxc7(+wRal) Sbxc7(+bQd8)
3.Bxb6(+wBcl) Bxf4(+bRh8)
4.Rxf8(+wQdl) Qxd5(+bSg8)
5.Kxf3(+wPf2) Rxa2(+bPa7)
6.Rxe8(+wBfl) Sxb6(+bBf8) =

The following twenty captures are illegal, as the black King is exposed to check : a7xb6(+wSg1)+, Sxb6(+wSg1)+, Qxc7(+wSg1)+, Bxd5(+wQd1)+, Scxe7(+wPe2)+, Qxe7(+wPe2)+, Rxe7(+wPe2)+, Bxe7(+wPe2)+, Sgxe7(+wPe2)+, d7xe6(+wPe2)+, f7xe6(+wPe2)+, d6xe5(+wPe2)+, f6xe5(+wPe2)+, Kxf4(+wBc1)+, f7xg6(+wPg2)+, Rxg6(+wPg2)+, h7xg6(+wPg2)+, f6xg5(+wPg2)+, h6xg5(+wPg2)+, f5xg4(+wPg2)+.


Ending this post, we will see a Circe with theme Zappas.

(Problem 207)
Byron Zappas,
Die Schwalbe 1987,
Mate in 2 moves. Circe.
#2 Circe (12+13)
[1B2R2Q/P2p1P1p/1p5r/1P1kSB2/2psS1p1/1Pp1ps1p/4b3/3R3K]

In theme Zappas, one flight is guarded by three white pieces and in two moves the flight is unguarded, and this is repeated cyclically. There must be three thematic tries.
Here we observe that the square e5 is guarded by Bb8, Re8 and Qh8.

Thematic tries :
{1.Sxc4(+bPc7)? Already Bb8 is blocked,
and the threat [2.Sxe3(+bPe7)#] will block Re8,
so there is a defense 1...Rf6! to block Qh8.
It is no good to play 1...Bxc4(+wSb1)? 2.Sxc3(+bPc7)#}.

{1.Sxg4(+bPg7)? Already Qh8 is blocked ,
and the threat [2.Sxe3(+bPe7)#] will block Re8,
so there is a defense 1...Rd6! to block Bb8}.

{1.Qf8? The Qh8 has stopped guarding e5 in order to hold c5
and now is threatening [2.Sxc3(+bPc7)#], but this blocks Bb8
so there is a defense 1...Re6! to block Re8}.

There are many more tries, making the problem difficult to solve : {1.f8=B? Rd6!}, {1.a8=Q+? / a8=B+? / a8=S? Rc6!}, {1.Sd3? / Sg6? / Sc6? cxb3(+wPb2)!}, {1.Sxf3(+bSg8)? Bxf3(+wSb1)+!}, {1.Sxc3(+bPc7)+? Kc5!}, {1.bxc4(+bPc7)+? Bxc4(+wPc2)!}.

Key : 1.f8=Q! (which is guarding c5 and is threatening [2.Sxc3(+bPc7)#] )
If 1...Rd6 2.Qxd6#
If 1...d6 2.a8=Q/B#


(This post in Greek language).

Saturday, June 14, 2008

Solving Contest, 2008-04-19, ESSNA Pagrati

Left to right : Papastavropoulos, Anemodouras, Garoufalidis, Ilandzis, Mendrinos, Konidaris.


The 5th Solving Contest of E.S.S.N.A. (Union of Chess Clubs in Prefecture of Attica), contest surnamed "Byron Zappas", was successfully held in Chess Club of Pagrati in Saturday, April 19.
Eighteen solvers participated, having 2h 15m available time to solve 6 problems (1 two-mover, 1 three-mover, 1 four-mover, 1 study, 1 helpmate and 1 selfmate). The contest was dedicated to the top Greek composer of chess problems Byron Zappas, who died this year. All the compositions of the contest were created by Greek problemists.

The following persons gathered the most points :
1. Nikos Mendrinos (25 grades in 30) champion of Attica,
2. Andreas Papastavropoulos (20),
3. Panagiotis Konidaris (19),
4. Leocratis Anemodouras (15),
5. John Garoufalidis (15),
6. Spyros Ilandzis (14).

Best team proved to be "Zinon Glyfadas". No prize for category "young under 20 years old" was given.




The judge of the contest, Panagis Sklavounos, selected the following problems by Greek composers.


(Problem 148)
Marassoglou N.,
'To Mat', 1952
Mate in 2
#2 (7+4)
[K3k3/P2R4/2p5/2B1P1p1/6B1/1r6/Q7/8]



(Problem 149)
Zappas Byron,
Parallèle 50, 1948
Mate in 3
#3 (8+5)
[8/1p3R2/1pBp4/2kS1p2/RS6/1K1P4/P7/8]



(Problem 150)
Siaperas T.,
Problem, 1952
Mate in 4
#4 (8+9)
[K5S1/1p3s2/4kS1p/p2R4/3PP1Rp/5Bb1/5s1q/8]



(Problem 151)
Fragoulis K.,
Suomen Shakki, 1978
White plays and wins
+ (4+3)
[8/4pK2/8/pk6/SS6/8/1P6/8]



(Problem 152)
Paizis K.,
B.C.M., 1993
Helpmate in 3, (two solutions)
h#3 (3+3) 2.1.1.1
[1K3b2/4s3/5P2/4k1S1/8/8/8/8]



(Problem 153)
Moutecidis P.,
Gazeta Czestochowska, 1970
(Set play). Selfmate in 2
(*) s#2 (11+14)
[4b3/S1PkPP1R/3p4/3B4/4RPPp/2ppB1pq/3p2pb/3K1srr]



Here are the solutions of the problems:

Problem-148, Marassoglou, #2
Tries: {1.Rd1? / Rd2? / Rd3? / Rd4? Kf7!}, {1.Rb7? Kd8!}, {1.Ba3? / Bb4? / Bd6? c5!}, {1.Bh3? / Bf5? g4!}, {1.Bh5+? Kxd7!}, {1.Qb1? Rxb1!}, {1.Qa6? Rb7!}, {1.Qa5? Rb6!}, {1.Qf2? Rf3!}
Key: 1.Rc7! (zz).
Variations: 1...Kd8 2.Rc8#, 1...Rb8+ 2.axb8=Q# / axb8=R#, 1...R~ 2.Rc8# / Qg8#, 1...Rd3 2.Qg8#, 1...Rf3 2.Rc8#.

Problem-149, Zappas, #3
Tries: {1.Rxf5? / Rxb7? / Be8? / Bd7? / Bxb7? Kd4!}, {1.d4+? Kxd4!}, {1.Sa6+? Kxc6!}, {1.Kc3? bxc6!}.
Key: 1.Kc2! [2.d4+ Kxd4 / Kc4 3.Sd3#]
Variations: 1...Kd4 2.Sa6+ Ke5 3.Re7#, 1...b5 2.Kc3 and 3.d4#, 1...bxc6 2.Rxf5 (zz) Kb5 / Kd4 / b5 / cxd5 3.Sc3# / Sa6# / Sa6# / Rxd5#.

Problem-150, Siaperas, #4
Try: {1.Rd7? Bd6!}
Key: 1.Rg7! [2.Bh5 ~ / Sf7~ (if black plays anywhere or if he plays somewhere with Sf7, then) 3.Bxf7# / Re7#]

If 1...Bb8 (Bristol line clearance)
2.Bh5 Qc7 (we understand now that the black pawns a5 and b7 were placed there to void checks from the black Queen Qc7)
3.Bg6 [4.Bf5#]
3...Qf4 / Qe5 4.Bxf7#
3...Sd6 4.Re5# (Note that in the initial position this square was guarded by three black forces!).

If 1...Bd6
2.Bh5 [3.Bxf7#]
2...Se5 3.dxe5 [4.Bf7#] Sxe4 4.Bg4#
2...Sg5 / Sh8 / Sd8 3.Be8 and 4.Bd7#

Problem-151, Fragoulis, study +
Key: 1.Sc2! Kxa4 2.Sa1!
2...Kb4 3.Kxe7 a4 4.Kd6 a3 5.Sc2+ ~ 6.bxa3 and white wins
2...e5 3.Ke6 e4 4.Kd5 e3 5.Kc4 e2 6.Sc2 e1=Q 7.b3#

Problem-152, Paizis, h#3 2.1.1.1
1.Kxf6 Se4+ 2.Kf7 Kc7 3.Ke8 Sd6#
1.Sg8 f7 2.Bc5 fxg8=Q 3.Kd6 Qe6#

Problem-153, Moutecidis, s#2 (*)
Phase of set play : (*)
1...Kxc7 2.fxe8=Q (zugzwang, zz, and black is forced to continue by giving mate) Sxe3# / c2# / Qxg4#
1...Bxf7 2.e8=S (zz)

Tries: {1.Rh5? / Rh6? / Rh8? Bxf7!}, {1.c8=B+? Kc7!}, {1.Bc6+? / f8=S+? Kxc7!}, {1.fxe8=Q+? / fxe8=S? / fxe8=R? Kxe8!}.

Phase of real play : Key: 1.Sb5! (zz)
1...Kc8 2.fxe8=B (zz)
1...Bxf7 2.e8=R (zz)

Since it has achieved the four promotions in the solution, the problem is an allumwandlung (AUW).


(This post in Greek language).

Friday, May 30, 2008

Byron Zappas

Zappas Byron (pronounced 'za-pas 'vi-ron) was the only Greek Grand Master in composition of chess problems.

He was born in Athens at December 06, 1927, and died in Athens at January 05, 2008, one month after his 80th birthday.

He studied Economics in the Superior School of Economic and Commercial Sciences (ASOEE) of Athens, he continued with higher studies in Accounting and Costing in the London School of Economics. Under scholarships he specialized in Pedagogy and in School Administration (in the American University of Beirut, in the California Polytechnic University of USA, and in the British Bolton College of Education).

Most years of his professional life were dedicated to Education. He worked as professor at schools of Cyprus and, from 1972 until his pension year 1987, as professor in the Technological Educational Foundation (TEI) of Athens.

He learned chess at age 14 by his older brother. He quickly showed that he was a strong player and when he was 16 he played successfully blindfold chess. He liked solving chess problems and very soon become strong solver.
He started composing strategic three-mover problems in Miniature form (at most seven pieces). The first publication of one of his compositions was in the magazine "Helios" in 1945. Mr J. Koutalidis, editor of the chess column of the magazine, motivated and decidedly cultivated the talent of Zappas, and also the talent of other composers (Nikos Siotis, Dimitris Kapralos) of that time. Zappas met older Greek composers (Spyros Bikos, Vassilis Lyris) and become very interested in composing.
The first international success, which showed the great talent of Zappas in composition, happened in 1949 with a two-mover which was awarded first prize from the chess column of the newspaper ”Parallèle 50”, edited by the composer G. Martin.

In the years of his staying in Cyprus Zappas was also active with tourney over-the-board chess. First, he participated in the Cyprus championship in 1964. He become champion and kept his title for three consecutive years. As member of the Cypriot team he participated in Chess Olympiad 1964 in Israel. For the chess compositions, he formed a team of new composers (Pantelis Martoudis, S. Stavrinidis, G. Sfikas, and Cr. Papadopoulos) and with this team Zappas achieved to bring Cyprus in 15th place at the 2nd World Championship on Composition of Chess Problems, organized by Holland in 1967.

After his return in Greece in 1970, he organized regular meetings of old and new Greek composers, for conversation and exchange of views on the work of each and everyone, also for study and analysis on the contemporary themes of the problems. Assisted by the Greek Chess Federation, he founded the Committee of Chess Compositions (Epitropi Kallitehnikou Skakiou), of which he become president, and in 1981 by his initiative Greece become permanent member of the FIDE Committee for Chess Compositions. In the yearly congresses of this Committee he represented Greece, for the period allowed by his health.

He has published, mainly in editions and contests outside Greece, more than 400 problems. Over half of them were awarded with prizes or distinctions. Most problems are orthodox, but Selfmates, Helpmates, Fairies and Studies are also represented.
The peak of his creative imagination was the presentation of a theme, which now is called Theme Zappas. For his 18 compositions with Theme Zappas he was awarded 5 times First Prize, 3 times Second Prize, 5 times Honourable Mention.
Having accumulated over 70 FIDE points (more than 70 published problems selected for publication in FIDE Albums), he was awarded, in 1993 by FIDE, with the title of International Grandmaster, GM.

For the Chess Composition he has published, mainly in foreign magazines, articles and studies and has given speeches in many yearly congresses of the FIDE Committee for the Chess Problems. He has published, in 1990, the book “Chess Compositions” with selected problems of his, with analysis and explanation of themes. This book is also published in English language. In his professional area he also was exceptionally productive, as writer of four educative books.



With the following problem the Theme Zappas was presented for the first time :

Theme Zappas : A flight of the black King is guarded by three white pieces. There are three tries which fail, as a result of the cyclic neutralization of the three guards by the White and the Black.



(Problem 124)
Zappas Byron,
“O Pyrgos”, 1976
Mate in 2
#2 (11+13)
[4R3/3s3p/pB4pK/pp1B1pQS/S7/1P1kPP2/1Ppps3/2bb4]

Zappas liked problems with many tries.
Tries: {1.Re5? / Re6? / Re7? / Ba7? Bxb2!}, {1.Rc8? Sd4!}, {1.Sf4+? Sxf4!}, {1.Sc5+? Sxc5!}, {1.Qf6? Se5!}, {1.Qxf5+? gxf5!}, {1.Qxg6? hxg6!}, {1.Bb7? Bxb2!}, {1.Bc4+? bxc4!}, {1.Be4+? fxe4!}, {1.Bxa5? f4!}.
Let us study the solution. In the problem there is a flight of the black King Κd3, the square e3, which is controlled by Qg5, Re8, and Bb6.

Set play (*) : (In this phase, where white has not played yet, in several black moves there are set mates).
1...Sd7~ / Se2~ / f4 / b5 / gxh5
2.Sc5# / Sf4# / Be4# / Bc4# / Qxf5#.

However, black has the move 1...Bxb2, for which there is not mate, but if a white piece guard square c3, then follows 2.Sxb2# checkmate. There are four possibilities, but only one is successful. Let us see the continuation, on virtual game after the tries, and on actual play after the key.

Virtual play :
Try: 1.Qf6? (waiting, but the white Q does not guard e3 anymore)
1...Se5! (intercepts the guard of the white R on e3, thus playing [2.Sc5#] is not possible anymore because it interrupts the guard of white B on e3 and the black King can flee there with 2...Kxe3).

Try: 1.Rc8? (waiting, but the white R does not guard e3 anymore)
1...Sd4! (intercepts the guard of the white B on e3, thus playing [2.Sf4#] is not possible anymore because it interrupts the guard of white Q on e3 and the black King can flee there with 2...Kxe3).

Try: 1.Bxa5? (waiting, but the white B does not guard e3 anymore)
1...f4! (intercepts the guard of the white Q on e3, thus playing [2.Be4#] is not possible anymore because it interrupts the guard of white R on e3 and the black King can flee there with 2...Kxe3).

Actual play :
Key: 1.Bd4! (waiting, without having interrupted the three guards on e3. The five mates we have seen in the set play still exist and furthermore...)
1...Bxb2 2.Sxb2#


(This post in Greek language).

Sunday, March 30, 2008

Twin problems

Sometimes it is possible to create twin problems.
So, from one position, with small modifications, we take more problems. The modifications are : change of the position of one piece, addition or removal of one piece, moving all the pieces by one row or one column, change of the direction of the board, change of the piece on a square, or something similar.
The twins are very common in helpmate problems.


(Problem 14)
Zappas Byron,
Third Prize, “The Problemist”, 1965
(a) diagram : #2
(b) Twin with Ba5,
(c) Twin with Sa5
(11+8)
[5Q2/p3s3/P5p1/R2pP1P1/P2kr1p1/1B2p1S1/2R1P3/5k2]


The late professor Zappas Byron, (1927 – 2008), was the first Greek problemist who became International Grand Master in composition. The two-mover here has got twins, differing only at the piece on a5. The piece on a5 gives two of the mates. The mates change when this piece changes. The solutions are:

Problem (a) with white Ra5 : Key 1.Rb5! (waiting)
1...Kxe5 2.Qf6#
1...Rf4+ 2.Qxf4#
1...Rxe5 2.Rb4#
1...S~ 2.Rxd5#

Problem (b) with white Ba5 : Key 1.Bb4! (waiting)
1...Rxe5 2.Bc5#
1...S~ 2.Bc3#

Problem (c) with white Sa5 : Key 1.Ba2! (waiting)
1...Rxe5 2.Sb3#
1...S~ 2.Sc6#


[This post in Greek language].